Zefiro Torna releases 'Balsam' at Antarctica Records, successor to the productions ‘Les Tisserands’ and ‘O, Monde Aveugle!’. The project unites musicians who are experts in various genres such as old, ethnic and jazz music. This time the mysterious forces of plants, flowers and herbs formed the starting point for the programme.
"An unctuous and euphonious balsam for the mind and the soul. A truly intoxicating experience." - thus Stefan Grondelaers. Have a look at our trailer for a first impression.
Order the CD here - for yourself or as a Christmas gift. And for extra listening pleasure we offer the trilogy 'Tisserands - O Monde Aveugle - Balsam' for a small price.
From 9 November, you can discover the Hof van Busleyden museum in Mechelen through the eyes of three idiosyncratic storytellers. A musician translates Burgundian life into music, a classicist recounts the rebirth of the Court of Busleyden, and a psychiatrist connects past and present. The musical part is told by Jurgen De bruyn (the other museum podcasts were compiled by Patrick De Rynck and Dirk de Wachter), in an audio directed by the young radio producers Wederik De Backer and Lucas Derycke.
This autumn a retrospective exhibition of Baroque painter Adriaen Brouwer will be held in his native town of Oudenarde. Brouwer was a master in painting lively folk scenes. With his sublime landscapes he inspired great masters such as Rubens.
As part of the Ghent Festival of Flanders, Zefiro Torna brings the paintings of Brouwer and contemporaries such as the young Pieter Breughel, Frans Hals and Jan Steen to life with soprano Annelies Van Gramberen. The allegorical themes from their graphics and paintings are the guiding principles: Love and Vanity, Death and Transience, Wisdom versus Foolishness and 'Rudities'. Zefiro Torna draws on a treasure trove of picturesque folk and Beggars’ songs and from collections of songs and madrigals by publishers, poets and composers such as Bredero, Vallet and Hacquart.
On Friday 28 September Klara will broadcast live from the MOU Oudenaarde. Jurgen De bruyn will be a guest at Pompidou (5-7pm), and will talk about the symbolic themes that inspired him to create the programme ‘Allegoria’.
Good news for those who were to late to buy a ticket for Lassus Grand Cru on August 22nd at Laus Polyphoniae: this 'tasty' performance with Stefaan Degand will be heard, seen and tasted a second time that same evening. Don't want to miss that? Buy your ticket for the show at 10:15 pm.
In 1582, Jaakko Finno, headmaster of the Turku cathedral school, and Petri, a Finnish student at the university of Rostock, publish a unique collection of Latin songs for the Schola Aboensi (Latin for Turku).
This book, Piae Cantiones ecclesiasticae et scholasticae veterum episcoporum, contains music of an wide chronological and geographical scope. Stylistically the content is clearly older than the publishing date might suggest. Some compositions can be traced back to the year 1000 AD. However, the main body of the compositions belongs to the 15th-century Germanic-Bohemian tradition of cantiones. Moreover, there are links with French, Spanish and Italian sources and Flemish masters such as Jacob Obrecht, which can probably be explained by the continuing presence of Finnish students in Catholic universities all over Europe.
The hymns, most of which are Christmas songs, are grouped according to the liturgical year: Christmas, Easter and Whitsun. The remaining songs deal with the transitoriness of earthly life, the condition humaine, the life of school children, biblical subjects and the awakening of nature in spring.
Few musical collections from the 16th century have become so strongly embedded in the contemporary musical life as the Piae Cantiones in Finland. Since the rise of national romanticism in the early 20th century, they occupy a central place in the Finnish choral and church repertoire. The Finnish religious folk music also contains variations on the hymns, and composers have made arrangements of the songs, e.g. the ‘Carminalia’ by Sibelius.
Zefiro Torna performs the Piae Cantiones with 15th-century instruments, one voice and a boys choir. The academic and folkloric music traditions are brought together by the use of the Finnish cymbalo or kantele.
Annelies Van Gramberen soprano
Jowan Merckx flute, bagpipes
Liam Fennelly fiddle, viola da gamba
Frank Van Eycken percussion
Timo Väänänen kantele
Jurgen De bruyn lute, artistic direction
Antwerps Kathedraalkoor o.l.v. Sebastiaan Van Steenberghe