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03-04-2024:

Unity in Diversity #2

The second edition of the European lute song project Unity in Diversity starts at the end of April. Lutenist Jurgen De bruyn and mandolin virtuoso Alon Sariel will be joined by singers Lore Binon and Elly Aerden, by Vittoria Pagani on the Indian Sarod and by the ney and lavta player Christos Barbas. The creation takes place during LUNALIA, Festival of Flanders Mechelen, and is part of the Mechelen city festival Construct Europe, which coincides with the Belgian presidency of the EU Council. The premiere will be followed by concerts in Hasselt and Dilbeek.

To tune in, you can listen to the podcast made by Evita Nossent, in which the musicians talk about their experiences during the first residency at Laus Polyphoniae Antwerp. They testify about their personal music practice and how they set themselves up for new encounters.

In the words of Alon: “...what we present on stage is the wishful thinking of what could be in Europe in the future, if the European dream actually works”.

Podcast

03-04-2024:

The Mass Man at O. Festival

On 17 May, The Mass Man, a collaboration between Zefiro Torna and Muziektheater Transparant, will be a guest at the O. Festival in Rotterdam.

Director Wouter Van Looy, video artist Wim Catrysse and writer Peter Verhelst base the performance on Elias Canetti's book 'Mass and Power'. The Nobel laureate describes his experiences of mass movements in the early 20th century and mixes them with impressive sociological and anthropological insights. The book not only reads like a reflection on the past, it is also a guide for today.

Soloist singer/performers, instrumentalists on lute, cornetto, trumpet and drums, a sound installation artist and electronic soundscapes give new form and expression to a wide range of subgenres of medieval crusader song. They deliver a nuanced picture of a complex time and turning point in history, marked by changing identities and worldviews.

Trailer

04-02-2024:

22-03-2023:

L’ALQUIMISTA in Barcelona

Next week we will begin the rehearsals for music theater performance L'ALQUIMISTA in Barcelona, at the Teatro Nacional de Catalunya. Michael De Cock created and directs a theatre adaptation of the book The Abyss by Belgian writer Marguerite Yourcenar. Lutenist Jurgen De bruyn joins the stage and, together with composer Alain Franco, provides the soundtrack for the story, which is set in 16th-century Europe with a focus on the last years of the Bruges doctor and alchemist Zeno and on universal themes of humanity and freedom in turbulent times.

The premiere will take place on the 11th of May 2023. The tickets are on sale vie TNC.

15-06-2021:

Release documentary PAST >| ORALE


As an introduction to the performance PAST >I ORALE Zefiro Torna asked film maker Mathias Ruelle to create a short documentary. Through the eyes of five characters, this film highlights a few elementary parts from which the performance originated. The music of PAST >I ORALE - a wonderful mix of Beethoven, sound art and alternative pop - resonates as a soundtrack.

> Watch the documentary here (from June 15th until July 13th)

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The Allegory of Desire

— The Song of Songs in Western and Oriental traditions (2013)

Zefiro Torna – Vocalconsort Berlin – Ghalia Benali

The Hebrew Bible contains an extremely mysterious book known as the Song of Salomon, Canticle of Canticles or the Song of Songs. The book reads like a compilation of poems thematically centered around the theme of human love. The main characters are two lovers of the opposite sex. The poetry is rich in its imagery, often plainly erotic and suggestive. The Song of Songs is set in a sublimated world, it can be seen as an allegory for God's love and as a drive for mysticism. For centuries it has formed an inspiration for numerous oriental and western artists as well as scientist.

Together with Vocalconsort Berlin and the Tunisian singer and artist Ghalia Benali, Zefiro Torna created this exceptional program in 2013. Single voiced madrigals with instrumental accompaniment, vocal duets and trios, a women's choir and polyphonic settings by composers such as von Bingen, de Machaut, Dunstable, Agricola, Lassus, Grandi, Sances, Monteverdi, Schütz, Buxtehude and J. Ch. Bach interact with traditional Arab songs, narrating texts by ‘Sufi’ poets such as Rābiʻa al-ʻAdawiyya and by a new generation of poets such as the Egyptian Abdallah Ghoneem. Creating an inspiring dialogue between cultures and history, The Allegory of Desire bridges the distance between sacrality and humanity.

"Between similarity and difference, suddenly a lot appeared to be vibrating. When, at the end, Lischka demonstrated her Indian singing style and together with Benali easily improvised a raga, the heart was completely sold." De Standaard - 07/10/2013

This production with an international cast has been staged on prestigious podiums and festivals in Amsterdam, Brussels, Berlin, Hamburg, Nürnberg, Winterthur, Sevilla and Vilnius. In the upcoming years the program will further be promoted internationally. A recording by Warner Classics was released on 21 October 2016.

“Was zunächst befremdlich wirkt, wird schnell zu einer großen Bereicherung; bald schon treten Orient und Okzident in einen Dialog.” Gmünder Tagespost – 02.08.2016

Zefiro Torna

  • Cécile Kempenaers soprano
  • Annelies Van Gramberen soprano
  • Jowan Merckx recorder, percussion
  • Liam Fennelly viola da gamba
  • Jurgen De bruyn lute, theorbo


Vocalconsort Berlin

  • Claudia Böhme / Verena Gropper soprano
  • Anne Bierwirth alto
  • Stephan Gähler tenor
  • Johannes Klügling tenor
  • Christoph Drescher bass

Ghalia Benali Arabic chant, compositions

Jurgen De bruyn artistic direction
Folkert Ude dramaturgy
Jörg Bittner scenography, light design

CD