Like many other artists and ensembles, Zefiro Torna had to cancel upcoming concerts due to the corona crisis. It's a pity, but the health of everyone around us comes first.
In the meantime, we continue to work on future projects from our attic, living room or improvised office. Every week, we'll provide a musical antidote, starting with this playlist on Spotify: https://spoti.fi/3bl07iS
Stay healthy and creative!
In January 2020, Zefiro Torna will reshape the production of Balsam into a music theater performance that stimulates all the senses. To this end, the ensemble works together with theater company Laika - Theater der Zinnen. Balsam becomes a visual and physically stimulating laboratory in which the live music merges with surprising scents and flavors. While the music is simmering and enchanting, the spectators witness all kinds of experiments and chemical processes: oil solidifies dropwise into edible pearls, milk becomes electric, charcoal a sweet treat. Balms, powders, drinks and amuse gueules in all scents, colors and flavors are presented and shared by the performers with those sitting next to you, premiered on January 31, 2020 in Le Channel (Calais, FR) and then on tour in France, The Netherlands and Belgium.
Zefiro Torna announces a new spring with groundbreaking multidisciplinary creations, international collaborations and timeless music that touches body and mind. Download our brochure, full of inspiration for your cultural season 2020-21
Manoli Blessi was the pseudonym of Antonio Molino, a poet, composer and theatre producer in 16th-century Venice. He wrote his poetry in the so-called 'lingua greghesca': an invented language, a bizarre mix of Venetian and Greek dialects. Zefiro Torna and the dancers of Corpo Barocco will bounce you with a revival of the burlesque extravagance of Blessi's texts in the spirit of the commedia dell'arte.
Blessi's oeuvre is very diverse: besides erotic songs, odes to female singers and parodies of the poetry of Petrarca and Bembo his Libro delle Greghesche also contains two elegies on the death of Adriaen Willaert. This concert approaches this motley collection with a matching musical sense of variation. Now the greghesche take their cue from simple folk genres, then again they are close to the refined Italian madrigal. A Pulcinella and a dancer take you to the octagon hall of Palazzo Cornaro in Padova, a sanctuary for the commedia dell'arte.
Cécile Kempenaers, Els Van Laethem cantus
Els Janssens altus
Stephan Van Dyck tenor
Matthew Baker bass
Marleen Leicher cornett
Hannelore De Vaere harp
Liam Fennelly / Ivanka Neeleman viola de gamba
Jurgen De bruyn renaissance guitar, lute & artistic direction
Karin Modigh dance & commedia
Luca Lomazzi dance & commedia
Sigrid T'Hooft concept & choreography
Prof. Dr. Katelijne Schiltz research
Dr. Bart Van den Bossche language coaching, translations
Early Music Review 12.10.2012