This fall, in addition to a few concerts, Zefiro Torna is preparing a number of (inter)national productions that will premiere in spring 2020.
We are especially looking forward to work with the theater company Laika. Together we'll transform the Balsam program into a mysterious alchemical lab where the public is served elixirs, ointments, syrups, all while the music enchants.
In addition, we will bring a few noon concerts at Opera Vlaanderen with the Champions des Dames program.
We'll also celebrate Beethoven 2020 with the hybrid concert installation PASTORALE, in which the music helps shape an ecology of microscopic life forms.
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On Tuesday, August 13, the production Time Crawls will premiere during the festival De Zomer van Sint-Pieter in Leuven. Melodies by Jowan Merckx - member of Zefiro Torna - were arranged by composers Marnix De Cat and Martin Valcke for a new kind of broken consort, performed by an international top cast. The program traverses the European mainland from Scandinavia to the Mediterranean, and from Ireland to the Black Sea via polkas, bourrées, jigs, Breton folk dances and waltzes, to the typical tonalities and rhythms of the Balkans.
Don't miss the premiere and buy your tickets
With the holidays ahead we announce our summer concerts. After some well-deserved rest, we're back on stage with B.I.G. at the MAfestival Bruges and Llibre Vermell at the Eté Mosan Festival. We also make time for the creation of the brand new production Time Crawls with melodies by Jowan Merckx, set by composers Marnix De Cat and Martin Valcke for a new kind of broken consort.
Both Balsam concerts on 6 and 7 May 2019, during the Lunalia festival, are now sold out. Want to see Balsam live? Come to Dil'Arte in Dilbeek on 6 April, there are still a few tickets left.
Manoli Blessi was the pseudonym of Antonio Molino, a poet, composer and theatre producer in 16th-century Venice. He wrote his poetry in the so-called 'lingua greghesca': an invented language, a bizarre mix of Venetian and Greek dialects. Zefiro Torna and the dancers of Corpo Barocco will bounce you with a revival of the burlesque extravagance of Blessi's texts in the spirit of the commedia dell'arte.
Blessi's oeuvre is very diverse: besides erotic songs, odes to female singers and parodies of the poetry of Petrarca and Bembo his Libro delle Greghesche also contains two elegies on the death of Adriaen Willaert. This concert approaches this motley collection with a matching musical sense of variation. Now the greghesche take their cue from simple folk genres, then again they are close to the refined Italian madrigal. A Pulcinella and a dancer take you to the octagon hall of Palazzo Cornaro in Padova, a sanctuary for the commedia dell'arte.
Cécile Kempenaers, Els Van Laethem cantus
Els Janssens altus
Stephan Van Dyck tenor
Matthew Baker bass
Marleen Leicher cornett
Hannelore De Vaere harp
Liam Fennelly / Ivanka Neeleman viola de gamba
Jurgen De bruyn renaissance guitar, lute & artistic direction
Karin Modigh dance & commedia
Luca Lomazzi dance & commedia
Sigrid T'Hooft concept & choreography
Prof. Dr. Katelijne Schiltz research
Dr. Bart Van den Bossche language coaching, translations
Early Music Review 12.10.2012