LUNALIA // artist in residence - CC Mechelen, Minderbroederskerk
LUNALIA // artist in residence - CC Mechelen, Minderbroederskerk
The UNITY IN DIVERSITY concert at Morgenland Festival Osnabrück was broadcasted on Deutschlandfunk Kultur on the 28th of August. The recording will remain available until the end of September.
The recording provides an opportunity to relive the fourth edition of the Unity in Diversity residency project with Israeli countertenor Doron Schleifer, Lebanese-Palestinian singer Haitham Haidar and top musicians Alon Sariel, Christos Barbas and Jurgen De bruyn. The concert was extremely well acclaimed.
The second edition of the European lute song project Unity in Diversity starts at the end of April. Lutenist Jurgen De bruyn and mandolin virtuoso Alon Sariel will be joined by singers Lore Binon and Elly Aerden, by Vittoria Pagani on the Indian Sarod and by the ney and lavta player Christos Barbas. The creation takes place during LUNALIA, Festival of Flanders Mechelen, and is part of the Mechelen city festival Construct Europe, which coincides with the Belgian presidency of the EU Council. The premiere will be followed by concerts in Hasselt and Dilbeek.
To tune in, you can listen to the podcast made by Evita Nossent, in which the musicians talk about their experiences during the first residency at Laus Polyphoniae Antwerp. They testify about their personal music practice and how they set themselves up for new encounters.
In the words of Alon: “...what we present on stage is the wishful thinking of what could be in Europe in the future, if the European dream actually works”.
On 17 May, The Mass Man, a collaboration between Zefiro Torna and Muziektheater Transparant, will be a guest at the O. Festival in Rotterdam.
Director Wouter Van Looy, video artist Wim Catrysse and writer Peter Verhelst base the performance on Elias Canetti's book 'Mass and Power'. The Nobel laureate describes his experiences of mass movements in the early 20th century and mixes them with impressive sociological and anthropological insights. The book not only reads like a reflection on the past, it is also a guide for today.
Soloist singer/performers, instrumentalists on lute, cornetto, trumpet and drums, a sound installation artist and electronic soundscapes give new form and expression to a wide range of subgenres of medieval crusader song. They deliver a nuanced picture of a complex time and turning point in history, marked by changing identities and worldviews.
Next week we will begin the rehearsals for music theater performance L'ALQUIMISTA in Barcelona, at the Teatro Nacional de Catalunya. Michael De Cock created and directs a theatre adaptation of the book The Abyss by Belgian writer Marguerite Yourcenar. Lutenist Jurgen De bruyn joins the stage and, together with composer Alain Franco, provides the soundtrack for the story, which is set in 16th-century Europe with a focus on the last years of the Bruges doctor and alchemist Zeno and on universal themes of humanity and freedom in turbulent times.
The premiere will take place on the 11th of May 2023. The tickets are on sale vie TNC.
Zefiro Torna
The traditional music group Amorroma, the historical music ensemble Zefiro Torna and jazz saxophone player and flute player Philippe Laloy (Traces, Tricycle) meet in a programme imbued by the spirit of Catharism. In the 12th and 13th centuries, the Cathars formed an important spiritual movement. Averse to all dogmas, they aimed at elevated human values such as austerity, immaterialism and noblesse de coeur. In Flanders, they were sometimes called phiphles (flute players?) in France parfaits, bonhommes or tisserands (weavers). They were persecuted by the Inquisition for heresy, and finally brought down in Montségur, a town in the French Pyrenees.
Occitania was the region where the Cathar phenomenon flourished, and where at the same time the troubadour repertoire developed. Several poetic texts by individuals such as Marcabrun, Bernard de Ventadour and Raymond de Miraval lean towards the ideas and the actions of the Cathars, and give expression to a strong sense of liberty. The medieval texts and melodies serve as a source of inspiration for this programme, just like the melodies composed by Jowan Merckx – contrafacts that evoke reminiscences of earlier times and various European and Eastern cultures. The ensemble’s arrangements of these melodies stand out for their variety of textures and their colourfulness.
The duality of the Cathar doctrine, based on the contrast between good and evil, Yin and Yang, manifests itself in a multitude of contrasts. Complex polyphony is opposed to the simplicity of a unison melody; elating dance music to epic ballads; the strong, dark and piercing tones of the bagpipes, the bass, the viola da gamba and the bouzouki to soft instruments like the lute, the harp, the viol and flutes. The soprano sax improvisations, the female voice and the poetry of the troubadours enter into a compelling dialogue.