LUNALIA // artist in residence - CC Mechelen, Minderbroederskerk
LUNALIA // artist in residence - CC Mechelen, Minderbroederskerk
The UNITY IN DIVERSITY concert at Morgenland Festival Osnabrück was broadcasted on Deutschlandfunk Kultur on the 28th of August. The recording will remain available until the end of September.
The recording provides an opportunity to relive the fourth edition of the Unity in Diversity residency project with Israeli countertenor Doron Schleifer, Lebanese-Palestinian singer Haitham Haidar and top musicians Alon Sariel, Christos Barbas and Jurgen De bruyn. The concert was extremely well acclaimed.
The second edition of the European lute song project Unity in Diversity starts at the end of April. Lutenist Jurgen De bruyn and mandolin virtuoso Alon Sariel will be joined by singers Lore Binon and Elly Aerden, by Vittoria Pagani on the Indian Sarod and by the ney and lavta player Christos Barbas. The creation takes place during LUNALIA, Festival of Flanders Mechelen, and is part of the Mechelen city festival Construct Europe, which coincides with the Belgian presidency of the EU Council. The premiere will be followed by concerts in Hasselt and Dilbeek.
To tune in, you can listen to the podcast made by Evita Nossent, in which the musicians talk about their experiences during the first residency at Laus Polyphoniae Antwerp. They testify about their personal music practice and how they set themselves up for new encounters.
In the words of Alon: “...what we present on stage is the wishful thinking of what could be in Europe in the future, if the European dream actually works”.
On 17 May, The Mass Man, a collaboration between Zefiro Torna and Muziektheater Transparant, will be a guest at the O. Festival in Rotterdam.
Director Wouter Van Looy, video artist Wim Catrysse and writer Peter Verhelst base the performance on Elias Canetti's book 'Mass and Power'. The Nobel laureate describes his experiences of mass movements in the early 20th century and mixes them with impressive sociological and anthropological insights. The book not only reads like a reflection on the past, it is also a guide for today.
Soloist singer/performers, instrumentalists on lute, cornetto, trumpet and drums, a sound installation artist and electronic soundscapes give new form and expression to a wide range of subgenres of medieval crusader song. They deliver a nuanced picture of a complex time and turning point in history, marked by changing identities and worldviews.
Next week we will begin the rehearsals for music theater performance L'ALQUIMISTA in Barcelona, at the Teatro Nacional de Catalunya. Michael De Cock created and directs a theatre adaptation of the book The Abyss by Belgian writer Marguerite Yourcenar. Lutenist Jurgen De bruyn joins the stage and, together with composer Alain Franco, provides the soundtrack for the story, which is set in 16th-century Europe with a focus on the last years of the Bruges doctor and alchemist Zeno and on universal themes of humanity and freedom in turbulent times.
The premiere will take place on the 11th of May 2023. The tickets are on sale vie TNC.
Zefiro Torna – Ensemble Polyfoon – Tom de Hoog
Don Carlo Gesualdo da Venosa (1560-1613) is one of the most controversial composers in music history. Early in his life he got possessed with music and started playing the harpsichord, lute and guitar. His experimental, mostly vocal, works are reminiscent of the renaissance and point in the direction of a new baroque style. His works are immersed in dissonants and chromaticisms and in exuberant word paintings they express strong emotions such as love, pain, death, ecstasy and agony. Without any doubt this can be traced back to Gesualdo's own tumultuous life. He caught his first wife in the act with her lover and killed them shockingly with his own hands. What's more, some sources mention that he denied his second son and even cuddled him to death. In the city of Ferrara, where he married Leonora d'Este, the avant-garde atmosphere offered him new creative possibilities. But without much delay his misfortune caught up with him, and to be sheltered from his avengers he locked himself in his Naples castle, looking for a cure in vain. Close to his music chapel and his servants, he spent the last years of his life in anxiety psychosis and depression.
Actor Tom de Hoog writes and performs a compelling text on insanity and schizophrenia while Zefiro Torna stages madrigals dedicThe Ensemble Polyfoon on the other hand draws from Gesualdo’s “Sacrae Cantiones”, some of which were added to by Igor Stravinsky. A new composition by Flemish composer Jeroen D’hoe concludes the evening.The Ensemble Polyfoon on the other hand draws from Gesualdo's partly unfinished “Sacrae Cantiones”. They were added to by Igor Stravinsky and now – in creation – by Flemish composer Jeroen D'hoe.
Tom de Hoog actor
Ensemble Polyfoon conducted by Lieven Deroo
Griet De Geyter, Cécile Kempenaers, Els Van Laethem soprano
Liam Fennelly viola da gamba
Jurgen De bruyn lute
Sarah L. Ridy harp