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05-09-2024:

RELIVE UNITY IN DIVERSITY AT THE MORGENLAND FESTIVAL OSNABRÜCK

The UNITY IN DIVERSITY concert at Morgenland Festival Osnabrück was broadcasted on Deutschlandfunk Kultur on the 28th of August. The recording will remain available until the end of September.

The recording provides an opportunity to relive the fourth edition of the Unity in Diversity residency project with Israeli countertenor Doron Schleifer, Lebanese-Palestinian singer Haitham Haidar and top musicians Alon Sariel, Christos Barbas and Jurgen De bruyn. The concert was extremely well acclaimed.


03-04-2024:

Unity in Diversity #2

The second edition of the European lute song project Unity in Diversity starts at the end of April. Lutenist Jurgen De bruyn and mandolin virtuoso Alon Sariel will be joined by singers Lore Binon and Elly Aerden, by Vittoria Pagani on the Indian Sarod and by the ney and lavta player Christos Barbas. The creation takes place during LUNALIA, Festival of Flanders Mechelen, and is part of the Mechelen city festival Construct Europe, which coincides with the Belgian presidency of the EU Council. The premiere will be followed by concerts in Hasselt and Dilbeek.

To tune in, you can listen to the podcast made by Evita Nossent, in which the musicians talk about their experiences during the first residency at Laus Polyphoniae Antwerp. They testify about their personal music practice and how they set themselves up for new encounters.

In the words of Alon: “...what we present on stage is the wishful thinking of what could be in Europe in the future, if the European dream actually works”.

Podcast

03-04-2024:

The Mass Man at O. Festival

On 17 May, The Mass Man, a collaboration between Zefiro Torna and Muziektheater Transparant, will be a guest at the O. Festival in Rotterdam.

Director Wouter Van Looy, video artist Wim Catrysse and writer Peter Verhelst base the performance on Elias Canetti's book 'Mass and Power'. The Nobel laureate describes his experiences of mass movements in the early 20th century and mixes them with impressive sociological and anthropological insights. The book not only reads like a reflection on the past, it is also a guide for today.

Soloist singer/performers, instrumentalists on lute, cornetto, trumpet and drums, a sound installation artist and electronic soundscapes give new form and expression to a wide range of subgenres of medieval crusader song. They deliver a nuanced picture of a complex time and turning point in history, marked by changing identities and worldviews.

Trailer

04-02-2024:

22-03-2023:

L’ALQUIMISTA in Barcelona

Next week we will begin the rehearsals for music theater performance L'ALQUIMISTA in Barcelona, at the Teatro Nacional de Catalunya. Michael De Cock created and directs a theatre adaptation of the book The Abyss by Belgian writer Marguerite Yourcenar. Lutenist Jurgen De bruyn joins the stage and, together with composer Alain Franco, provides the soundtrack for the story, which is set in 16th-century Europe with a focus on the last years of the Bruges doctor and alchemist Zeno and on universal themes of humanity and freedom in turbulent times.

The premiere will take place on the 11th of May 2023. The tickets are on sale vie TNC.

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PAST >| ORALE

— BTHVN transhumanised (2020)

ZEFIRO TORNA - SEADS network

What would happen if there were a United Organization of Organisms, called UOO (uh-oh)
where each species gets one vote?
Would mankind be voted off the planet?
Would we be rejected by the biosphere as a virulent organism?
We are nature,
we are not separate from it
It's a natural gift we have
It is just
Recalling it
It is just
Reclaiming it
It is just
Re-enchanting it

(Text by Birsen Uçar for PAST >| ORALE)

The transdisciplinary performance PAST >I ORALE, a collaboration between Zefiro Torna and SEADS Network, links Beethoven to the theme of nature versus man, society, and science. Philosophical common tread is the optimism of progress as reflected in his allegorical ballet Die Geschöpfe des Prometheus. Here, Beethoven presents a titan who brings fire to earth and thus frees man from the dictates of the gods, through science, art, and a new morality.

A similar optimism of progress characterises the DNA of the international transdisciplinary network of artists, scientists, engineers, and activists: SEADS. This new self-confident generation emphasises an increasing psychological connection of all people, supported by advanced means of communication and a further computerisation of society.

PAST >I ORALE is designed as a utopian ecosystem in which humans, micro-organisms and technology enter a symbiotic relationship. Musical motifs from Beethoven's famous 6th ‘Pastoral’ Symphony form the building blocks of new compositions. Songs from the cycle An die ferne Geliebte or fragments from the 5th Cello Sonata mutate and are accompanied by ambient music, sound art, spoken word, and alternative pop music.

Sound shapes an ecology of microscopic life forms: sound frequencies and musical patterns influence the conditions in which this living matter finds itself. This hidden world becomes visible to the audience and performers through microscopic image capture and projection. The result is an eccentric biotope in which hybrid sounds transport the listener/ observer 'im glückliche Fahrt' to a new time and space.

Zefiro Torna

  • Birsen Uçar (Hydrogen Sea) singer/performer
  • Mathis Van Cleynenbreugel vocals, French horn
  • Jasmijn Lootens cello, electronics
  • Pak Yan Lau toy piano, electronics, trash synths
  • Frederik Croene piano démécanisé
  • Jurgen De bruyn romantic guitar, mandolin, lute, electronics

  • Roel Das sound engineer
  • Jean-Lou Caglar light design
  • Jurgen De bruyn concept, artistic direction

SEADS network

  • Pieter Steyaert installation, visuals

BTHVN ‘shards’ | new music based on fragments from Symphony n° 6 in F major ‘Pastoral’, song cycle ‘An die ferne Geliebte’, ‘Cello Sonata n° 5’ and ‘Meeresstille’ – arrangements of Hydrogen Sea songs

In coproduction with Concertgebouw Brugge, LUNALIA, CC Strombeek, GC De Muze

In cooperation with Meise Botanic Garden

With special thanks to Kunstencantrum nona, STUK, DE MAAN