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03-04-2024:

Unity in Diversity #2

The second edition of the European lute song project Unity in Diversity starts at the end of April. Lutenist Jurgen De bruyn and mandolin virtuoso Alon Sariel will be joined by singers Lore Binon and Elly Aerden, by Vittoria Pagani on the Indian Sarod and by the ney and lavta player Christos Barbas. The creation takes place during LUNALIA, Festival of Flanders Mechelen, and is part of the Mechelen city festival Construct Europe, which coincides with the Belgian presidency of the EU Council. The premiere will be followed by concerts in Hasselt and Dilbeek.

To tune in, you can listen to the podcast made by Evita Nossent, in which the musicians talk about their experiences during the first residency at Laus Polyphoniae Antwerp. They testify about their personal music practice and how they set themselves up for new encounters.

In the words of Alon: “...what we present on stage is the wishful thinking of what could be in Europe in the future, if the European dream actually works”.

Podcast

03-04-2024:

The Mass Man at O. Festival

On 17 May, The Mass Man, a collaboration between Zefiro Torna and Muziektheater Transparant, will be a guest at the O. Festival in Rotterdam.

Director Wouter Van Looy, video artist Wim Catrysse and writer Peter Verhelst base the performance on Elias Canetti's book 'Mass and Power'. The Nobel laureate describes his experiences of mass movements in the early 20th century and mixes them with impressive sociological and anthropological insights. The book not only reads like a reflection on the past, it is also a guide for today.

Soloist singer/performers, instrumentalists on lute, cornetto, trumpet and drums, a sound installation artist and electronic soundscapes give new form and expression to a wide range of subgenres of medieval crusader song. They deliver a nuanced picture of a complex time and turning point in history, marked by changing identities and worldviews.

Trailer

04-02-2024:

22-03-2023:

L’ALQUIMISTA in Barcelona

Next week we will begin the rehearsals for music theater performance L'ALQUIMISTA in Barcelona, at the Teatro Nacional de Catalunya. Michael De Cock created and directs a theatre adaptation of the book The Abyss by Belgian writer Marguerite Yourcenar. Lutenist Jurgen De bruyn joins the stage and, together with composer Alain Franco, provides the soundtrack for the story, which is set in 16th-century Europe with a focus on the last years of the Bruges doctor and alchemist Zeno and on universal themes of humanity and freedom in turbulent times.

The premiere will take place on the 11th of May 2023. The tickets are on sale vie TNC.

15-06-2021:

Release documentary PAST >| ORALE


As an introduction to the performance PAST >I ORALE Zefiro Torna asked film maker Mathias Ruelle to create a short documentary. Through the eyes of five characters, this film highlights a few elementary parts from which the performance originated. The music of PAST >I ORALE - a wonderful mix of Beethoven, sound art and alternative pop - resonates as a soundtrack.

> Watch the documentary here (from June 15th until July 13th)

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Puzzled

—  (2007)

Zefiro Torna – Zoo/Thomas Hauert

The music ensemble Zefiro Torna and the contemporary dance company ZOO \ Thomas Hauert join hands for a performance based on old musical enigmas.

Zefiro Torna dedicate themselves to the secrets of the riddle canons from the ars subtilior and the renaissance. The code to these canons is hidden in cryptic clues, as in the famous ‘Ma fin est mon commencement’ by Guillaume de Machaut. Or it adopts the most inventive emblematic forms, such as the labyrinth in En la maison de Daedalus, the compass by Cordier, the key and the sword by Vaet, the chess board by Senfl and Danckerts or the dice by Josquin. These musical enigmas can be interpreted as a metaphor for man’s existential quest. The same theme and technique inspired J.S. Bach for his composition for organ Ein kleines Harmonisches Labyrinth. The human quest is also central in the more recent ricercares by Jonathan Harvey, Heinz Holliger’s exploration of the limits of an instrument and Richard Rijnvos’ music boxes.

Especially the labyrinth recurs throughout history as a symbol for the ‘condition humaine’. In the Christian tradition – to which the old music studied by Zefiro Torna belongs – it represented the difficult path along the temptations of life to the ultimate, heavenly salvation. What could this quest mean today? How can we reconcile a symbol based on the perspective of a unique ‘way out’ with the contemporary relativistic philosophies?

Thomas Hauert explores the mechanics of the body as a combined play of possibilities, directions and limits. One of the main research activities of the company consists of developing complex systems that can coordinate a group in motion. Time and again the dancers change directions, return on their steps, in a quest that seems to have sense nor outcome. Here, the trajectory itself is more important than the outcome. The individual develops a trajectory in an environment full of restrictions, yet retains a certain freedom of choice. In Thomas Hauert’s work, this study of movement between freedom and restriction is applied simultaneously to all parts of the body, at every moment and in every direction.

The performance puzzled develops as a sequence of enigmas: each time a mistery is solved, a new one appears. Polyphonic voices and instrumental caccias accompany the dancers on a timeless quest, that will perhaps never be fulfilled.

co-production / Musica Antiqua Bruges, Festival van Vlaanderen Tongeren, Zoo Compagnie

Els Van Laethem, Cécile Kempenaers cantus
Els Janssens altus
Kristien Ceuppens hautboy
Liam Fennelly / Paulina Van Laarhoven fiddle, viola da gamba
Jurgen De bruyn lute, artistic direction
Wouter Koelewijn organ
Prof. Dr. Katelijne Schiltz research
Contemporary Dance Compagny ‘Zoo’ / Thomas Hauert choreographer